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His works stress the absurdity both of bourgeois
values and of the way of life that they dictate. They express
the futility of human endeavor in a universe ruled by chance.
His play La Cantatrice chauve (1950; tr. The Bald Soprano, 1965)
was suggested by the idiotic phrases in an English language
textbook; it has become an enormously popular classic of the
theater of the absurd. Among Ionesco's other
plays are La Leçon (1951), Les Chaises (1952), Victimes du
devoir (1953), Le Nouveau locataire (1957), Tueur sans gages
(1958), Rhinocéros (1959), Photo du colonel (1967), Le roi se
meurt (1963), and Jeux de massacre (1970). He wrote about the
theater in Notes and Counternotes (1962, tr. 1964); a memoir,
Present Past, Past Present (1968, tr. 1971); and the novel The
Hermit (1974). His plays are all available in
English translation. |